SONY Full-frame E-mount 12-24mm F2.8 GM Lens

• 14-35mm
• Aperture Range: T1.7
• Angle of View: 300°
• Diaphragm Blades: 11.0
• Lens Type: Zoom
• Lens Mount: Canon EF

• Compatible with EF 35mm mounts and Super 35mm cameras
• Large aspherical element for unprecedented 4k optical performance
• 11-blade diaphragm for optimal blur
• Smaller and lighter than traditional lenses
• Internal focusing minimizes focus breathing
• Supports standard Cinema accessories
• Front lens diameter and standardized controls

• SKU: MASTER ZOOM 16.5-110mm (used)
• Title: Used ARRI MASTER ZOOM 16.5-110mm Cine Zoom Lens
• Product Description: Second hand ARRI MASTER ZOOM 16.5-110mm Cine Zoom Lens
• Condition: Excellent cosmetic, very clean glasses
• Warranty: 3 months

High performance, high versatility

With its vast technical expertise, Canon has created a lens with excellent performance in all areas of the image. The CN7x17 KAS S E1 / P1 offers 4K performance and has an 11-petal diaphragm to make out-of-focus images smoother and softer. Thanks to the large 7x zoom, the focal range from 17 - 120 mm and a max. of T2.95, the CN7x17 KAS S E1 / P1 is a candidate for a single solution for every shooting situation. Canon's 3-group internal focus minimizes focus breathing. This lens is weatherproof and shockproof, and is robust for use in any shooting environment.

Designed for broadcast applications

The CN7x17 KAS S E1 / P1 features a digital drive unit, which facilitates use in broadcast shooting environments where cinema lenses would not be practical. Compact and lightweight, it allows easy shoulder shooting with thehandling typical of a TV zoom lens. The rotation angle of the focus ring is 180 В°, balancing both the maximumsensitivity required by 4K images and the speed required by broadcast applications. High-resolution encoders allowfor precisely repeatable lens operation, while with immediate start-up and high operating speed you won't miss a moment. On a tripod, you can take advantage of Canon broadcast demand for zoom, focus and iris control. The interface with virtual studios is also available thanks to the 16-bit encoder output.

Perfect cinematic shots

This lens is also suitable for movie shooting. By removing the drive unit, it can be used like a traditional cinema lens. Standard accessories such as Follow Focus can be paired easily thanks to the 0.8 and 0.5 pitch rings builtinto the focus ring. Also, repositioning the drive unit is very simple. no pre-setting of the dials is necessary. Fluid and creative shots are therefore achievable before not conceivable with cameras equipped with large format sensors. All Cinema EOS series lenses are color compatible with each other, for seamless integration with other Canon CN models.

Camera / lens communication

The CN7x17 KAS S E1 / P1 has three communication systems. Canon's EF mount transmits lens metadata and enables peripheral illumination correction. A 12-pin serial connection provides the typical interface for broadcast cameras. The Cooke / i technology is present in the variant with PL mount and from here it sends the data generated by the optics to the cameras usually used for film shooting.

• Focal Length: 14-35mm
• Aperture Range: T1.7
• Angle of View: 300°
• Diaphragm Blades: 11.0
• Lens Type: Zoom
• Lens Mount: Canon PL

The CN-E30-105mm T2.8 L S / SP Cinema Lens is a lightweight Super 35mm lens for 2K and 4K productions. Available for EF (S model) and PL (SP model) couplings

• EF (S model) and PL (SP model) couplings
• Focal length of 30mm ~ 105mm
• 11-blade diaphragm
• Focus breathing reduced to a minimum
• Precise adjustments of the depth of focus thanks to the indicators on both sides
• Standardized handling positions, rotation angles and front lens diameters

SONY E-mount 18-105 mm F4 G OSS motorized lens (compatible with all APS-C mirrorless cameras).