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- Camera Version: Camera Body Only
- Target audience: amateur photographers
- Series: Panasonic Lumix DC Camera body
- Lens mount: Micro Four Thirds (Micro 4/3)
- Shell materials: Leatherette upholstery, magnesium alloy
- Dimensions: 124 x 72 x 47 mm
- Weight (body only): 407g
- Weight (including battery and memory card): 450g
- Operating temperature: 0 to 40 ° C
- Black colour
- Design: retro
- 20.3 Megapixels
- 5-Axis Dual I.S
- 4K Functions
Reference: 7GX9EG
Panasonic Lumix GX9 Camera Body
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- Camera Version: Camera Body Only
- Target audience: amateur photographers
- Series: Panasonic Lumix DC Camera body
- Lens mount: Micro Four Thirds (Micro 4/3)
- Shell materials: Leatherette upholstery, magnesium alloy
- Dimensions: 124 x 72 x 47 mm
- Weight (body only): 407g
- Weight (including battery and memory card): 450g
- Operating temperature: 0 to 40 ° C
- Black colour
- Design: retro
- 20.3 Megapixels
- 5-Axis Dual I.S
- 4K Functions
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- Display Type
- TFT
- Product color
- Nero
- Maximum Video Resolution
- 3840 x 2160 Pixel
- Camera Type
- Corpo MILC
- Megapixel
- 20,3 MP
- Sensor Type
- Live MOS
- Maximum Image Resolution
- 5184 x 3888 Pixel
- Video Recording
- Sì
- Camera Mount
- FULL FRAME
The Panasonic Lumix GX9 is an interchangeable lens camera with a 20-megapixel stabilized Micro4/3 sensor. The five-axis stabilization is very effective, even in video shooting, and while this is not a very recent body (2018), the features and image quality are fully current.
The dimensions are small (124 x 72 x 47 mm approx.) as is the weight (450 g including battery and memory card; 660 g with the 12-60 mm kit lens), so much so that it resembles a state-of-the-art compact camera.
The camera body is linear and compact: a "brick" with minimal protrusions consisting of the lightweight front grip, the rear grip (for the thumb) and the swiveling viewfinder. I used this camera with a lightweight, space-saving lens (the 12-60 mm f/3.5-5.6 stabilized kit zoom; 24-120 mm equivalent in terms of angle of view on full frame) and found the design adequate and the ergonomics good. The small rear protrusion (which seems almost a designer's quirk) and the front protrusion make a difference in terms of grip.
The controls are easy to reach and their arrangement makes rational use of space: a dial is placed around the shutter release, the power switch around the movie recording switch, the dial for selecting shooting modes and the dial for exposure compensation are concentric and overlapping. The pop-up flash, hot shoe and viewfinder are then located at the top.
On the back, in addition to the LCD display that can be rotated up and down, there are three customizable function buttons, a group of buttons that can be used both as directional selectors and for quick access to the main shooting settings and menu, a toggle for selecting the autofocus mode (AFS, AFC, MF), the button for extracting the flash, and the one for back focus. Finally, another selection dial.
At the bottom we have the thread for the tripod positioned in the center of the body: this allows access to the battery compartment and the single SD card slot without having to disassemble the quick release plate.
On the side, concealed by a retractable flap, are the HDMI and USB (charge) connectors, which also serve to charge the battery. The lack of an external microphone input (and headphone output) anticipate that the camera is not meant for video shooting, or even vlogging.
The Panasonic cameras' touch is precise and reliable and does not make the lack of a joystick to move the focus point selection. Using touch you can also change settings and navigate menus.
The interface is mostly intuitive and overall simple: the quick menu (Quick menu) and fingertip functions provide quick access to the controls we use most. Touching the rear display brings up five more customizable function keys that, added to the three physical keys on the back, bring to eight the slots for the commands we want to always have at our fingertips.