The Neumann KK 105-S is the supercardioid capsule of the famed Neumann KMS105 vocal microphone. The capsule is developed for use with the Sennheiser SKM5000 wireless handheld transmitters, delivering the pristine sound quality of the KMS104 to the Sennheiser Evolution series wireless system.
The BCM-104 Large Diaphragm Condenser Broadcast Microphone from Neumann features a large-diaphragm, cardioid condenser capsule. It has a frequency response that is flat up to 3 kHz and then gradually boosted in the higher frequencies. If required, internal switches can be used to compensate for the proximity effect and to reduce the sensitivity by 14 dB.The microphone headgrille twists off for quick cleaning. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen. The microphone has an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms.
The nickel TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is addressed from the front. The K 103 large diaphragm capsule is based on the K 87, and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.
The black TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is addressed from the front. The K 103 large diaphragm capsule is based on the K 87, and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.
The TLM 170 R can be used for many diverse applications in professional recording studios, in broadcasting, film and television, and for semi-professional productions.The large-diaphragm capsule inside the head grille has a very smooth frequency response for all polar patterns over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10 kHz within an angle of ± 100°.
The nickel U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The black U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The BCM 705 Dynamic Broadcast Microphone from Neumann is a professional, dynamic broadcast microphone. The BCM 705's housing and head grille are identical to those of the BCM 104. The dynamic capsule features a hypercardioid directional characteristic, specifically designed for speech reproduction at close range.
The nickel TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.
The black TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is equipped with a large-diaphragm capsule with a cardioid pattern. By focusing on this pattern, the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased.
The Neumann KM 183 are a matched, stereo pair of omnidirectional, pressure condenser microphones with an AES/EBU digital output and built-in A/D converter. Neumann continues to make strides in microphone technology with internal digital conversion and an AES/EBU 42 output standard that allows remote software operation with the DMI-2 digital microphone interface, or direct connection to AES inputs on digital mixers, field recorders, etc.
The Neumann KM183 Stereo Set is a matched, stereo pair of KM 183 omni-directional microphones in nickel, two Stand mount swivels SG 21/17 mt, two windscreens WNS 100 and a robust wooden storage box. The KM 183 has a slender shape and advanced transmission characteristics that make it especially suitable for a very wide range of tasks in the radio and television sector, as well as recording applications.
The KM 184 mt stereo pair are matched in sensitivity and frequency response and provide optimum results when capturing performances or ambiance. The 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 184's cardioid polar pattern provides a generous pick up area and is suitable for ambiance or spot miking instruments such as piano, wind instruments organ and choir. The KM 184 handles sound pressure levels up to 138 dB allowing close miking of instruments high in transient (peak) level response.
The SKM 184 Nickel Stereo Matched Microphone Pair from Neumann is a kit containing a stereo matched pair of the KM 184 microphones. The microphones feature cardioid, pressure condenser elements intended for live sound reinforcement and broadcast as well as recording applications. The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal. The KM 184 is powered via +48V phantom power.
The matte black KM 185 MT Microphone from Neumann is a hypercardioid pattern, pressure gradient condenser microphone intended for live sound reinforcement and broadcast, as well as recording applications.The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.
The Nickel KM 185 Microphone from Neumann is a hypercardioid pattern, pressure gradient condenser microphone intended for live sound reinforcement and broadcast, as well as recording applications.The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.
The Neumann KK 104 S cardioid condenser capsule delivers legendary Neumann sound within Sennheiser's solid wireless system. This capsule mates with the Sennhesier SKM 5200 and SKM 5000 transmission systems.
The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry - not to mention classic Neumann sound! The TLM 103 is a great mic for any pro or project studio use and, due to its minimal self-noise, it's been used for classical recordings with a wide dynamic range, sampling (especially for very low amplitude sources), and Foley work. This mic is also robust enough for the live stage, as Jack White has employed the TLM 103 to mic amps in live situations.
The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry - not to mention classic Neumann sound! The TLM 103 is a great mic for any pro or project studio use and, due to its minimal self-noise, it's been used for classical recordings with a wide dynamic range, sampling (especially for very low amplitude sources), and Foley work. This mic is also robust enough for the live stage, as Jack White has employed the TLM 103 to mic amps in live situations.
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. he KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
The Neumann KMS 104 microphone has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and the U 47.
The Neumann KK 120 Figure 8 Capsule Head is intended for use with the Neumann KM D and KM A series modular output stages. The capsules pressure gradient transducer features a figure-8 characteristic, side-fire polar pattern.
The Neumann KK 131 is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz.
The Neumann KK143 Wide Cardioid Miniature Capsule is designed to fit KM-D digital microphone system preamplifiers. The capsule's wide cardioid polar pattern provides 4dB of attenuation at 90°, 8dB at 135°, and 11dB at 180°.
TLM 67 Multi-Pattern Switchable Studio Microphone from Neumann is an omnidirectional, cardioid, and figure-8 large diaphragm microphone. The TLM 67 is based on the Neumann U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the circuit design closely reproduces the sound characteristics of the U 67, without the use of tubes. It has three switchable directional characteristics, selectable 10 dB pre-attenuation, and high-pass filter that permits detailed adjustments to be made, depending upon the specific recording situation.
The Neumann KMS 104 Plus has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
KMS 104 PLUS has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.KMS 104 PLUS has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.
TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels. The capsule has an elastic suspension for minimizing structure-borne noise, while an integraed pop screen in the grille aids in suppressing plosives in vocal and speech recording.
The KM A Analog Output Stage is the amplifier section of the KM modular miniature microphone system. It can be paired in accordance with the AES 42 standard with the newly developed passive capsule design which features 8 different directional characteristics. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.
The Neumann KM A Output Stage is the analog output section for use with Neumann KK series microphone capsules. the use of the most up-to-date electronic components the system offers many electroacoustic and operational advantages, such as lower self-noise, a wider dynamic range and very high immunity to electromagnetic interference. The acoustics of the capsules were taken from the proven KM 100 system.
The nickel Neumann KK 204 Cardioid Microphone Capsule for Sennheiser SKM 2000 System provides a full, transparent and naturally warm sound without excessive accentuation of the bass. Due to the single polar pattern design, the polar patterns are very uniform over the entire frequency range, thus providing the basis for excellent resistance to feedback.
The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing
The capsule of the KMS 105 vocal microphone, exclusively for use with the Sennheiser SKM 2000/9000 handheld transmitter. The capsule head has greater directivity and maximizes incident sound from the front as opposed to sound from the rear.Thanks to the combination of the Neumann KK 204 and KK 205 capsule heads with the wireless Sennheiser 2000/9000 series, Neumann sound is also available in the wireless domain.This opens up new sound dimensions for the most demanding live-performance engineering.
The black Neumann KK 205 Supercardioid Microphone Capsule for Sennheiser SKM 2000 System provides a full, transparent and naturally warm sound without excessive accentuation of the bass. Due to the single polar pattern design, the polar patterns are very uniform over the entire frequency range, thus providing the basis for excellent resistance to feedback.
TLM 102 Studio Set Large-Diaphragm Studio Condenser Microphone (Nickel) Styled in a nickel finish, TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
TLM 102 mt Studio Set Large-Diaphragm Studio Condenser Microphone Black styled in a black finish, TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The nickel U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The black U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The nickel Neumann TLM 107 is a high-quality, flexible large diaphragm condenser microphone with five selectable polar patterns that is designed to accommodate a wide variety of professional studio, broadcast and demanding home recording applications.
The black Neumann TLM 107 is a high-quality, flexible large diaphragm condenser microphone with five selectable polar patterns that is designed to accommodate a wide variety of professional studio, broadcast and demanding home recording applications.
The Neumann TLM 107 Studio Set provides you with a Neumann TLM 107 microphone, a stand mount, a wooden box, and an EA 4 Elastic Suspension Shockmount to isolate the mic from stand-associated rumble. The microphone provides five polar patterns, transformerless circuitry, two selectable high-pass filters, two selectable pads, and more. The Elastic Suspension Shockmount provides a 5-8"-27 female thread and a thread adapter for 1/2"-3/8" stands.
The Neumann TLM 107 Studio Set provides you with a Neumann TLM 107 microphone, a stand mount, a wooden box, and an EA 4 Elastic Suspension Shockmount to isolate the mic from stand-associated rumble. The microphone provides five polar patterns, transformerless circuitry, two selectable high-pass filters, two selectable pads, and more. The Elastic Suspension Shockmount provides a 5-8"-27 female thread and a thread adapter for 1/2"-3/8" stands.
The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U67’s masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss.