The Neumann KK 104 S cardioid condenser capsule delivers legendary Neumann sound within Sennheiser's solid wireless system. This capsule mates with the Sennhesier SKM 5200 and SKM 5000 transmission systems.
The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry - not to mention classic Neumann sound! The TLM 103 is a great mic for any pro or project studio use and, due to its minimal self-noise, it's been used for classical recordings with a wide dynamic range, sampling (especially for very low amplitude sources), and Foley work. This mic is also robust enough for the live stage, as Jack White has employed the TLM 103 to mic amps in live situations.
The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry - not to mention classic Neumann sound! The TLM 103 is a great mic for any pro or project studio use and, due to its minimal self-noise, it's been used for classical recordings with a wide dynamic range, sampling (especially for very low amplitude sources), and Foley work. This mic is also robust enough for the live stage, as Jack White has employed the TLM 103 to mic amps in live situations.
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. he KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
The Neumann KMS 104 microphone has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and the U 47.
The Neumann KK 120 Figure 8 Capsule Head is intended for use with the Neumann KM D and KM A series modular output stages. The capsules pressure gradient transducer features a figure-8 characteristic, side-fire polar pattern.
The Neumann KK 131 is a free-field equalized pressure transducer. The sensitivity in the free sound field is flat up to 20 kHz. In the diffuse sound field there is a roll-off above 5 kHz.
The Neumann KK143 Wide Cardioid Miniature Capsule is designed to fit KM-D digital microphone system preamplifiers. The capsule's wide cardioid polar pattern provides 4dB of attenuation at 90°, 8dB at 135°, and 11dB at 180°.
TLM 67 Multi-Pattern Switchable Studio Microphone from Neumann is an omnidirectional, cardioid, and figure-8 large diaphragm microphone. The TLM 67 is based on the Neumann U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the circuit design closely reproduces the sound characteristics of the U 67, without the use of tubes. It has three switchable directional characteristics, selectable 10 dB pre-attenuation, and high-pass filter that permits detailed adjustments to be made, depending upon the specific recording situation.
The Neumann KMS 104 Plus has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
KMS 104 PLUS has been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.KMS 104 PLUS has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.
TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels. The capsule has an elastic suspension for minimizing structure-borne noise, while an integraed pop screen in the grille aids in suppressing plosives in vocal and speech recording.
The KM A Analog Output Stage is the amplifier section of the KM modular miniature microphone system. It can be paired in accordance with the AES 42 standard with the newly developed passive capsule design which features 8 different directional characteristics. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.
The Neumann KM A Output Stage is the analog output section for use with Neumann KK series microphone capsules. the use of the most up-to-date electronic components the system offers many electroacoustic and operational advantages, such as lower self-noise, a wider dynamic range and very high immunity to electromagnetic interference. The acoustics of the capsules were taken from the proven KM 100 system.
The nickel Neumann KK 204 Cardioid Microphone Capsule for Sennheiser SKM 2000 System provides a full, transparent and naturally warm sound without excessive accentuation of the bass. Due to the single polar pattern design, the polar patterns are very uniform over the entire frequency range, thus providing the basis for excellent resistance to feedback.
The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing
The capsule of the KMS 105 vocal microphone, exclusively for use with the Sennheiser SKM 2000/9000 handheld transmitter. The capsule head has greater directivity and maximizes incident sound from the front as opposed to sound from the rear.Thanks to the combination of the Neumann KK 204 and KK 205 capsule heads with the wireless Sennheiser 2000/9000 series, Neumann sound is also available in the wireless domain.This opens up new sound dimensions for the most demanding live-performance engineering.
The black Neumann KK 205 Supercardioid Microphone Capsule for Sennheiser SKM 2000 System provides a full, transparent and naturally warm sound without excessive accentuation of the bass. Due to the single polar pattern design, the polar patterns are very uniform over the entire frequency range, thus providing the basis for excellent resistance to feedback.
TLM 102 Studio Set Large-Diaphragm Studio Condenser Microphone (Nickel) Styled in a nickel finish, TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
TLM 102 mt Studio Set Large-Diaphragm Studio Condenser Microphone Black styled in a black finish, TLM-102 Large-Diaphragm Studio Condenser Microphone from Neumann is a large diaphragm condenser microphone operating in a cardioid polar pattern. It has the ability to withstand very high sound pressure levels.
The nickel U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The black U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The nickel Neumann TLM 107 is a high-quality, flexible large diaphragm condenser microphone with five selectable polar patterns that is designed to accommodate a wide variety of professional studio, broadcast and demanding home recording applications.
The black Neumann TLM 107 is a high-quality, flexible large diaphragm condenser microphone with five selectable polar patterns that is designed to accommodate a wide variety of professional studio, broadcast and demanding home recording applications.
The Neumann TLM 107 Studio Set provides you with a Neumann TLM 107 microphone, a stand mount, a wooden box, and an EA 4 Elastic Suspension Shockmount to isolate the mic from stand-associated rumble. The microphone provides five polar patterns, transformerless circuitry, two selectable high-pass filters, two selectable pads, and more. The Elastic Suspension Shockmount provides a 5-8"-27 female thread and a thread adapter for 1/2"-3/8" stands.
The Neumann TLM 107 Studio Set provides you with a Neumann TLM 107 microphone, a stand mount, a wooden box, and an EA 4 Elastic Suspension Shockmount to isolate the mic from stand-associated rumble. The microphone provides five polar patterns, transformerless circuitry, two selectable high-pass filters, two selectable pads, and more. The Elastic Suspension Shockmount provides a 5-8"-27 female thread and a thread adapter for 1/2"-3/8" stands.
The U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U67’s masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss.
