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The Neumann TLM 103 offers the same stunning sound as the classic Neumann U87 in a more compact, affordable package. Featuring a universal cardioid pattern, straightforward handling, and extremely low self-noise level, this large diaphragm condenser mic is perfect for home recording, professional broadcasting and commercial recording studios.
The KH 810 is an answer to these new demands by offering a new 7.1 High Definition Bass Manager. This is compatible with all standard consumer formats from Mono through to the latest 7.1 HD systems. Eight channels of Analog ensures flexible interconnectivity for modern studios. Four-mode LFE-Channel processing guarantees compatibility across all formats and industries. Forth-order crossovers and flexible acoustical controls allow for seamless system integration. Built-in volume control and a hardware remote control allows for centralized system control independent of the source, and the electronics can be remote located to reduce cabling
The Neumann U47 FET Collector's Edition brings the epic sound of one of the most recorded microphones in history into your studio. Neumann went back to the schematics and production notes from the original U47 FET to bring you the wide dynamic range, detailed sound, and fast transient response of the original.
The black U 89 i Large Diaphragm Condenser Microphone from Neumann is a studio microphone for multiple applications. The head grille protects a dual-diaphragm capsule and a rotary switch below the head grille selects from five different polar patterns.The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency.
The nickel U 89 i Large Diaphragm Condenser Microphone from Neumann is a studio microphone for multiple applications. The head grille protects a dual-diaphragm capsule and a rotary switch below the head grille selects from five different polar patterns.The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency.
The black U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The nickel U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The black TLM 170 R Multi-Pattern Large-Diaphragm Studio Condenser Microphone from Neumann is a large-diaphragm, multi-pattern condenser microphone and features FET 100 technology, a balanced, transformerless output stage, low self-noise, and an impressive dynamic range.Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked "R," the directional patterns can be controlled remotely with the included N 248 power supply. There is no special cable necessary for this purpose.
The nickel TLM 170 R Multi-Pattern Large-Diaphragm Studio Condenser Microphone from Neumann is a large-diaphragm, multi-pattern condenser microphone and features FET 100 technology, a balanced, transformerless output stage, low self-noise, and an impressive dynamic range.Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked "R," the directional patterns can be controlled remotely with the included N 248 power supply. There is no special cable necessary for this purpose.
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic.
The black U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The nickel U 87 Ai Condenser Microphone from Neumann is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.
The black TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is addressed from the front. The K 103 large diaphragm capsule is based on the K 87, and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.
The KH 420 from Neumann is a three-way active monitor designed for use as a mid-field or main monitor, and can be used free-standing or flush mounted into a wall. It is particularly well-suited for use in music, broadcast, and post production studios for tracking, mixing and mastering, and in multi-channel systems can be mixed freely with other loudspeakers in the range.
The nickel TLM 103 Large-Diaphragm Condenser Microphone from Neumann is a cardioid, directional microphone that features low self-noise and high sound pressure level transmission. The capsule, derived from that used in the Neumann U 87, has a cardioid pattern, is acoustically well-balanced, and provides great attenuation of signals from the rear.The TLM 103 is addressed from the front. The K 103 large diaphragm capsule is based on the K 87, and has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.
KH 310 Three-Way Active Studio Monitor from Neumann is a tri-amplified monitor capable of a total of 290-watts of continuous output. It is designed for use as a near-field monitor as well as in multi-channel systems as a front or rear loudspeaker, and can be used for tracking, mixing, and mastering applications.
The Neumann KH 310 active studio monitor gives you exceptional performance and outstanding quality - exactly what you need for day-in, day-out studio work. It's perfect for use as a nearfield or as a rear speaker in a multi-channel system. This 3-way KH 310 active monitor uses powerful, efficient Class AB amplifiers to pump clean power to each of its drivers. Plus, the KH 310's Mathematically Modeled Dispersion (MMD) waveguide helps this loudspeaker sound great in a variety of environments. Call your Sweetwater Sales Engineer for all the details on the stellar Neumann KH 310 active studio monitor.
The matte black KMR 82 i MT Shotgun Microphone from Neumann uses a combination of a pressure gradient transducer and an interference tube. If the wavelength of the frequency is longer than the tube length, the microphone works as a pressure gradient transducer. At higher frequencies, it operates as an interference transducer for lateral sound.
TLM 67 Multi-Pattern Switchable Studio Microphone from Neumann is an omnidirectional, cardioid, and figure-8 large diaphragm microphone. The TLM 67 is based on the Neumann U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the circuit design closely reproduces the sound characteristics of the U 67, without the use of tubes. It has three switchable directional characteristics, selectable 10 dB pre-attenuation, and high-pass filter that permits detailed adjustments to be made, depending upon the specific recording situation.
The Neumann KH 750 DSP subwoofer is an ideal sub for smaller rooms and smaller studio monitors such as Neumann’s own KH 80 DSP. The KH 750 has a unique and flexible onboard 2.0/0.1 Bass Manager that allows for it to be used in many different system configurations. The rear panel is equipped with both analog and digital inputs and outputs, four routing modes, fourth-order DSP crossovers, and acoustical controls for seamless system and room integration.
The KMR 81 i MT Shotgun Microphone from Neumann uses a combination of a pressure gradient transducer and an interference tube. Interference tube microphones with shotgun directional characteristic
Interference/pressure gradient transducer
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and the U 47.
The matte black KM 185 MT Microphone from Neumann is a hypercardioid pattern, pressure gradient condenser microphone intended for live sound reinforcement and broadcast, as well as recording applications.The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.
The Nickel KM 185 Microphone from Neumann is a hypercardioid pattern, pressure gradient condenser microphone intended for live sound reinforcement and broadcast, as well as recording applications.The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.
The Neumann KM 183 are a matched, stereo pair of omnidirectional, pressure condenser microphones with an AES/EBU digital output and built-in A/D converter. Neumann continues to make strides in microphone technology with internal digital conversion and an AES/EBU 42 output standard that allows remote software operation with the DMI-2 digital microphone interface, or direct connection to AES inputs on digital mixers, field recorders, etc.
The Neumann KH 870 is an answer to these new demands by offering a new 7.1 High Definition Bass Manager. This is compatible with all standard consumer formats from Mono through to the latest 7.1 HD systems. Eight channels of analog or an optional eight-channel, 24 bit/192 kHz digital input card ensures flexible interconnectivity for modern studios. Four-mode LFE-channel processing guarantees compatibility across all formats and industries. Forth-order crossovers and flexible acoustical controls allow for seamless system integration.
The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.
The Neumann TLM 107 Studio Set provides you with a Neumann TLM 107 microphone, a stand mount, a wooden box, and an EA 4 Elastic Suspension Shockmount to isolate the mic from stand-associated rumble. The microphone provides five polar patterns, transformerless circuitry, two selectable high-pass filters, two selectable pads, and more. The Elastic Suspension Shockmount provides a 5-8"-27 female thread and a thread adapter for 1/2"-3/8" stands.
the M 150 Tube is thoroughly modern. Utilizing a unique 12mm pressure omni capsule mounted in a 40mm sphere, the M 150 Tube has a unique polar pickup, unparalleled transient response, and a low noise floor of 15 dBa.
The Neumann KU 100 Dummy Head system is a unique stereo microphone that resembles the human head. The design implements two condenser elements inside the ears of the head in order to replicate human hearing and achieve authentic, true-to-life stereo imagery and field perception. The KU 100 uses +48V phantom power or battery power with six 1.5V AA batteries.
