- Sensor: 26.1MP BSI-CMOS, 23.5 x 15.6mm.
- Output Size: 6192 x 4128.
- Focal Length mag: 1.5x.
- Lens Mount: Sony E.
- Shutter Speeds: 30-1/8000sec.
- Sensitivity (Video) : ISO 100-32,000.
- Sensitivity (Photo): ISO 125 - 102,400.
- Exposure Modes: PASM, B
Reference: ILMEFX30B.CEC
SONY FX30 Super 35mm E-mount Cinema Line camera
1.826,86 €
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Expected availability: 5/7 days
- Sensor: 26.1MP BSI-CMOS, 23.5 x 15.6mm.
- Output Size: 6192 x 4128.
- Focal Length mag: 1.5x.
- Lens Mount: Sony E.
- Shutter Speeds: 30-1/8000sec.
- Sensitivity (Video) : ISO 100-32,000.
- Sensitivity (Photo): ISO 125 - 102,400.
- Exposure Modes: PASM, B
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Cinema Camera SONY FX 30
The idea behind the FX30 is to provide access to a workflow that, either through the use of the flat, semi-final S-Cinetone profile or 10-bit Log options, gives users the opportunity to create professional-looking color graded results.
The FX30 is based around a 26MP BSI sensor. The company suggests this isn't necessarily the same sensor that's already in use in other cameras (presumably a reference to models from Fujifilm and Ricoh) and the cameras specs suggest it can read its sensor slightly faster than the sensor we've seen up to now. As with most modern Sony sensors, it's a dual conversion gain design, offering a base ISO with wide dynamic range and a second, in-pixel higher gain mode with less DR but also less noise.
The FX30 offers the Cine EI (Exposure Index) modes for Log shooting recently added to the FX3.
These offer an alternative to the traditional ISO system, always keeping the level of amplification fixed in one of its optimal states (either at the 'base' ISO state or at the upper gain state of its dual conversion gain sensor). You can then adjust the EI and increase the exposure to give cleaner shadows or reduce exposure to capture more highlights, with the on-screen preview still showing the scene as correctly exposed.
An 'Easy EI' mode does the same thing but automatically switches between the lower and upper gain state if you reduce exposure too far from what the base state can handle.
The metadata from these modes is written into the file so that compatible software knows how light or dark to render the footage; however in a lot of NLE software it will simply appear as over- or under-exposed base ISO footage, that you'll then need to darken or lighten to give your intended result.
Accessories to have with this product:
Explore the menu below:
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Multi Battery Adaptor for NP-FZ100
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ARRI SONY BC-QM1 Battery Charger
- Smooth Power Zoom with Rapid Response: The power zoom system delivers rapid and smooth control.
- Outstanding AF with XD Linear Motors: Equipped with XD Linear Motors for fast and silent autofocus.
- Triple Rings for Zoom, Focus, and Aperture: Independent rings for flexible and intuitive control.
- Packed with Features, Incredibly Lightweight: Despite its lightweight design, it's rich in features and performance.
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- FORMAT: Full-frame 35 mm
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- FOCAL LENGTH EQUIVALENT TO 35 MM (APS-C): 105 - 300
- GROUPS / OBJECTIVE ELEMENTS: 14-17
- ANGLE OF VIEW (35 MM): 34 ° -12 ° 30
- ANGLE OF VIEW (APS-C): 23 ﾟ -8 ﾟ 2
- MAXIMUM OPENING (F): 2.8
- MINIMUM OPENING (F): 22
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- Groups / optical elements: 10/14
- Filter size: 72
- Minimum focusing distance: 0.4m
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- Camera lens description 12-24 mm
- Maximum focal length 24 Millimeters
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