SONY E-mount 18-200mm F3.5-6.3 OSS Lens

• 35mm full frame CMOS sensor (Full HD / 1080P)
• EF lens mount with Cinema Lock
• ISO of over 4 million (minimum illumination of 0.0005 lux)
• Remote settings and monitoring via network
• Ethernet (RJ45, PoE +), 3G / HD-SDI, HDMI
• Integrated video analysis tools
• Mobile camera viewer interface optimized for mobile devices
• Local recording on MicroSD memory card

The CN-E15.5-47mm T2.8 L S / SP Cinema Lens is a lightweight Super 35mm lens for 2K and 4K productions. Available for EF (S model) and PL (SP model) couplings

• EF (S model) and PL (SP model) couplings
• Focal length of 15.5mm ~ 47mm
• 11-blade diaphragm
• Focus breathing reduced to a minimum
• Precise adjustments of the depth of focus thanks to the indicators on both sides
• Standardized handling positions, rotation angles and front lens diameters

High performance, high versatility

With its vast technical expertise, Canon has created a lens with excellent performance in all areas of the image. The CN7x17 KAS S E1 / P1 offers 4K performance and has an 11-petal diaphragm to make out-of-focus images smoother and softer. Thanks to the large 7x zoom, the focal range from 17 - 120 mm and a max. of T2.95, the CN7x17 KAS S E1 / P1 is a candidate for a single solution for every shooting situation. Canon's 3-group internal focus minimizes focus breathing. This lens is weatherproof and shockproof, and is robust for use in any shooting environment.

Designed for broadcast applications

The CN7x17 KAS S E1 / P1 features a digital drive unit, which facilitates use in broadcast shooting environments where cinema lenses would not be practical. Compact and lightweight, it allows easy shoulder shooting with thehandling typical of a TV zoom lens. The rotation angle of the focus ring is 180 В°, balancing both the maximumsensitivity required by 4K images and the speed required by broadcast applications. High-resolution encoders allowfor precisely repeatable lens operation, while with immediate start-up and high operating speed you won't miss a moment. On a tripod, you can take advantage of Canon broadcast demand for zoom, focus and iris control. The interface with virtual studios is also available thanks to the 16-bit encoder output.

Perfect cinematic shots

This lens is also suitable for movie shooting. By removing the drive unit, it can be used like a traditional cinema lens. Standard accessories such as Follow Focus can be paired easily thanks to the 0.8 and 0.5 pitch rings builtinto the focus ring. Also, repositioning the drive unit is very simple. no pre-setting of the dials is necessary. Fluid and creative shots are therefore achievable before not conceivable with cameras equipped with large format sensors. All Cinema EOS series lenses are color compatible with each other, for seamless integration with other Canon CN models.

Camera / lens communication

The CN7x17 KAS S E1 / P1 has three communication systems. Canon's EF mount transmits lens metadata and enables peripheral illumination correction. A 12-pin serial connection provides the typical interface for broadcast cameras. The Cooke / i technology is present in the variant with PL mount and from here it sends the data generated by the optics to the cameras usually used for film shooting.

Canon kit consisting of compact zoom lenses for cinema

CN-E 18-80mm T4.4 L IS KAS S

CN-E 70-200mm T4.4 L IS KAS S

EF attack

Optical stabilization

Constant Aperture T4.4 (f / 4)

High performance, high versatility

With its vast technical expertise, Canon has created a lens with excellent performance in all areas of the image. The CN7x17 KAS S E1 / P1 offers 4K performance and has an 11-petal diaphragm to make out-of-focus images smoother and softer. Thanks to the large 7x zoom, the focal range from 17 - 120 mm and a max. of T2.95, the CN7x17 KAS S E1 / P1 is a candidate for a single solution for every shooting situation. Canon's 3-group internal focus minimizes focus breathing. This lens is weatherproof and shockproof, and is robust for use in any shooting environment.

Designed for broadcast applications

The CN7x17 KAS S E1 / P1 features a digital drive unit, which facilitates use in broadcast shooting environments where cinema lenses would not be practical. Compact and lightweight, it allows easy shoulder shooting with thehandling typical of a TV zoom lens. The rotation angle of the focus ring is 180 В°, balancing both the maximumsensitivity required by 4K images and the speed required by broadcast applications. High-resolution encoders allowfor precisely repeatable lens operation, while with immediate start-up and high operating speed you won't miss a moment. On a tripod, you can take advantage of Canon broadcast demand for zoom, focus and iris control. The interface with virtual studios is also available thanks to the 16-bit encoder output.

Perfect cinematic shots

This lens is also suitable for movie shooting. By removing the drive unit, it can be used like a traditional cinema lens. Standard accessories such as Follow Focus can be paired easily thanks to the 0.8 and 0.5 pitch rings builtinto the focus ring. Also, repositioning the drive unit is very simple. no pre-setting of the dials is necessary. Fluid and creative shots are therefore achievable before not conceivable with cameras equipped with large format sensors. All Cinema EOS series lenses are color compatible with each other, for seamless integration with other Canon CN models.

Camera / lens communication

The CN7x17 KAS S E1 / P1 has three communication systems. Canon's EF mount transmits lens metadata and enables peripheral illumination correction. A 12-pin serial connection provides the typical interface for broadcast cameras. The Cooke / i technology is present in the variant with PL mount and from here it sends the data generated by the optics to the cameras usually used for film shooting.

• 35mm full frame CMOS sensor (Full HD / 1080P)
• EF lens mount with Cinema Lock
• ISO of over 4 million (minimum illumination of 0.0005 lux)
• Remote settings and monitoring via network
• Ethernet (RJ45, PoE +), 3G / HD-SDI, HDMI
• Integrated video analysis tools
• Mobile camera viewer interface optimized for mobile devices
• Local recording on MicroSD memory card

The CN-E15.5-47mm T2.8 L S / SP Cinema Lens is a lightweight Super 35mm lens for 2K and 4K productions. Available for EF (S model) and PL (SP model) couplings

• EF (S model) and PL (SP model) couplings
• Focal length of 15.5mm ~ 47mm
• 11-blade diaphragm
• Focus breathing reduced to a minimum
• Precise adjustments of the depth of focus thanks to the indicators on both sides
• Standardized handling positions, rotation angles and front lens diameters

• Covers Super 35 Sensor Size
• Consistent T2.6 Maximum Aperture
• 3 x Standard 0.8 MOD Gears
• Minimal Breathing Even at Wide End
• Weighs 16.5 Pounds
• 134mm Front Diameter
• PL Mount, 3/8"-16 Support Foot
• 9-Blade Iris
• Focus Scales Marked in Feet

• Focal Length: 31.5mm-95mm
• Aperture Range: T1.7
• Angle of View: 300°
• Minimum Focusing Distance: 39.6" / 1.0m
• Diaphragm Blades: 11.0
• Lens Type: Zoom
• Lens Mount: Canon PL

• Compatible with Super 35mm cameras with EF mount
• Large aspherical element for unprecedented 4k optical performance
• 11-blade diaphragm for optimal blur
• Smaller and lighter than traditional lenses
• Internal focusing minimizes focus breathing
• Supports standard Cinema accessories
• Front lens diameter and standardized controls

• Compatible with PL 35 mm mounts and Super 35 mm cameras
• Large aspherical element for unprecedented 4k optical performance
• 11-blade diaphragm for optimal blur
• Smaller and lighter than traditional lenses
• Internal focusing minimizes focus breathing
• Supports standard Cinema accessories
• Front lens diameter and standardized controls